#Lana del rey album cover born to die movie
#Lana del rey album cover born to die series

Perhaps, at least in hindsight, it took the major-label debut of singer/songwriter Elizabeth Grant, aka indie pop sensation Lana Del Rey, to ultimately embody this sometimes aspirational, often wistful Millennial condition.

#Lana del rey album cover born to die movie

This lone shadow empire-of streetlights and vacancy signs, of movie theaters, cigarette smoke, and twilit porches cast in hazy citrine light-stood upon a vast ocean of swirling longing and nostalgia: a collective reimagining of modern history, at the hands of a generation so often condemned to fates of useless degrees, menial existences, and unrealized desires. The present was slow, the future bleak, and a romanticized, misty past held inevitable allure.

#Lana del rey album cover born to die series

Though the series fails at many of its basic entertainment goals, it is effectively able to capture the glory and downfall of scamming that so intrigues American culture.Once upon a time, not so long ago, the prospect of an alternate America nurtured an offshoot of modern youth, estranged, through crystalline fantasies of virtue and discovery, from an era of continued cultural decadence. Shonda Rhimes recently adapted this story into a Netflix miniseries, вЂњInventing AnnaвЂќ (2022), which attempts to translate Anna DelveyвЂ™s crime trajectory into a television drama. Delvey built herself a life as a fake German heiress and New York socialite and was ultimately arrested for defrauding banks, hotels and friends of thousands of dollars. Still, none have captured this scamming fascination quite like the story of Anna Delvey. This fascination is heavily represented in the media, whether it be feature films on Tammy Faye Bakker using her televangelist audiences as cash cows or the journalistic fascination with Caroline Calloway and her steeply priced вЂcreativity workshops.вЂ™ Elizabeth Holmes, famed fraudster and biotech giant, has both a buzzy miniseries and film about her coming out soon.

American pop culture loves a scammer, especially when an individual uses the self-improvement narrative foundational to our economic system for personal, albeit criminal, benefit. We are living through a scamming golden era. The Netflix logo is pictured.Courtesy Wikimedia Commons. Del Rey thinks weвЂ™re all вЂњBorn To Die,вЂќ but ironically, that is anything but the case for the album itself as it continues to live on in the mainstream. Only time will tell, but if IвЂ™ve learned anything from the first ten years of вЂњBorn To Die,вЂќ itвЂ™s to expect deserved, retrospective praise. Who knows, maybe it will be revered as the greatest work of the 2010s and alternative music. ItвЂ™ll be interesting to see what lies ahead for вЂњBorn To DieвЂќ and Lana Del Rey in the next ten years. To have the same draw to an album throughout many different stages in my life and the lives of so many other fans highlights the masterpiece that is вЂњBorn To Die.вЂќ Even today, I find myself putting the album on repeat as I work on projects for class. The quality of вЂњBorn To DieвЂќ lasts the test of time. Clearly all the album needed was time for people to see the value in Del ReyвЂ™s work.

When NME released its decade-end lists for the best albums of the 2010s, вЂњBorn To DieвЂќ surged up to the 10th best album of the decade. In 2016, New Musical Express ranked вЂњBorn To DieвЂќ as the 45th best album of 2012. Despite the criticism of her earliest works, she continued to produce record after record that slowly hooked critics on her talent.